It's been three years ago now that I purchased a Benchcrafted tail vice for this workbench. And we're just about up to the sixth anniversary of this build. Yeesh.

No more on that. In our fourth home, you know, the permanent one, I've gotten my shop in shape enough to get moving.  On this project it meant one of the big technical challenges, installing the tail vice. Well, in all honesty, I was just trying to fit the undercarriage tenons to the top, and I realized that once I got the pieces together, I was unlikely to ever get them apart again . . . so I'd better cut the other parts I need cut on this benchtop while I have the chance.

I did muscle the top onto the undercarriage once, and then marked up the cheeks that needed to be shaved to fit. I added a number (1), (2), or (3) to indicate the magnitude of material removal required for each cheek. Then I hauled the top back over to my outfeed table to work on the tail vice stuff. That thing is heavy! I don't know how much it is. Wait, I can do this. The Wood Database says dried silver maple weighs an average of 33 lb/ft³. The top is about 96" long by 27" wide by 3 3/4" thick. That's 9720 in³. Divide by 1728 in³ in 1 ft³, so 9720/1728, or 5.625 cubic feet of silver maple in the top. 185 pounds for the top. And I'm hauling it single handed. It's not heavy. It's awkward. (Nah, this shit's heavy.)

I'm continuing to make progress on the Roubo workbench. After carving the message on the front board, I then glued it to the front edge of the benchtop. Then I set the top aside so I can drill holes for pegs on the bench legs and aprons. Just last night I finished pegging and glueing the legs together. Then I heft the top back up on my outfeed table, upside down. Then I got the undercarriage on top of it, so I can lay out the leg tenon locations on the bottom of the benchtop. I've got it roughly positioned now. I didn't take the time last night to grab a photo, so I'll just show how it looks right now on the webcam.

After I get the position of the mortises figured out, I'm also going to work on installing the Benchcrafted wagon vise. Progress is being made. I'm hoping to have this thing finished this month.

The last update was getting too long, so I'll finish the rest of that here. After I finished fitting the dovetails of the front piece of the front to the endcap, I then worked on carving the credo I had long planned to grace the front edge of my bench. The main reason I left the front board off of the benchtop lamination was so that I'd have a separate piece to carve. It's also a lot easier to carve on a  piece resting on a benchtop than sitting on the floor attached to a 250 pound hard maple benchtop.

Here, you can see how I've used a spray adhesive to attach the paper pattern to the front board. I'm actually showing some confidence here by making this mixed case. There's a reason why much of the gross carving of the ancient Roman monuments used all capital letters. Capital Roman letters have fewer curves, and curves are alway harder to cut so that they look consistenct. (Think of the letter E and T.) Still, I've carved several signs in the last couple of years, so I decided I liked the more classically elegant look of lower case serif lettering .  .  . and I had just enough confidence to try.

The letters are about an inch and a half tall. One thing that's important about laying out your message is to size your lettering to fit your carving gouges and chisels. At this size, I could use my 6 and 10mm wide chisels, but 12 and 20 were way too wide. This somewhat limited my choices in gouges since I mostly have only one width in each curve size. In carving chisels, a number 1 is a flat chisel. Each higher number indicates a tigher curve, all the way up to a number 12 which creates a very tight curve of diameter of approximately a quarter inch. This curve numbering is known as "sweep".  Actually, No. 11 and No. 12 are usually not circular, but rather more U shapped, with the sharpest curve at the bottom of the arc. 

It's not that I'm not doing anything. I haven't been posting to the site due to too much work at my day job. I've been slowly and steadily making progress on a couple of projects. Mostly I've been working on the Roubo workbench. Six years and counting on this project.

So where were we when last I left the narrative? I did the mortises for the leg stretchers. I've been working on getting the top ready to  attach to the base. So this meant:

• Attaching the end cap
• Fitting the front leg vice to the leg
• Cutting the front part of the benchtop to dimension, and then dovetailing it into the endcap
• Carving my credo into the bench front

I still need to do two more things before I can attach the legs to the top. I need to cut the mortises for the leg tenons into the top itself. And I need to install the Benchcrafted wagon vice onto the bottom of the benchtop.

Getting the shop up and running again has been a bit of a slog. Even getting the table-saw outfeed table into my shop turned out to be a major undertaking. Still, I've gotten the basic shop together, and started work on the workbench again. I didn't take many pictures beyond what I'm showing here, but I am making progress again. I managed to get about 3 hours of shop time this weekend. The first in a very long time.

I cut the tenon for the endcap, so I can start working on the wagon vise. Doing this cut with the circular saw turned out to present some challenges. The straight edge I clamped on the end on which to run the saw to cut the cheeks, slipped . . . on both faces. So Instead of a rectangular tenon, it turned out to be more of a parallelogram. I had to fix that with hand planes and hand saws, and ended up with a tenon that is a bit thinner than expected. Still, the fine work was satisfying, and I got back in touch with my hand tool mojo. Still need to drill out the end cap mortise and figure out the layout of the wagon vise.